‘Immensity,
cloistered in thy dear womb’
John Donne,
‘Nativity’, (1610)
Last week, I saw tinsel haloed angels preening in the front row, swinging their net skirts back and forth as they listened for the words they knew so they could join the singing with angelic gusto. I saw shepherds use their crooks to mischievously prod at fellow actors and Bethlehem villagers emotionally overcome, not by the miraculous birth but because they missed their mum. I clapped brave little soloists and tried not to be too distracted by deafening microphone feedback and an absurd height disparity between narrators.






